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La Parade
He played in the Fanfare National as a young man but turned his interest from music to painting and began showing his works in the galleries of Port-au-Prince.

Gregoire is considered one of the best of the first generation naive artists. His paintings were recently shown in New York at the Jonathan Demme exhibit at the Equitable Gallery.

Alexandre Gregoire
Size:24x36
Medium: Acrylic
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En Route
His works have been published and featured in numerous books and catalogs.

Books and Catalogues
1978 - Haitian Art, p. 121
1978 - Kunst aus Haiti, p. 173
1981 - Sotheby´s Haitian and Latin American Paintings, Drawings and Prints, (Cat. #13)
1982 - Art Expo: New York, p. 213
1983 - Peinture Haitienne, p. 53
1986 - La Peinture Haitienne, p. 83
1986 - Voyage Au Pays Des Naifs, p. 165
1990 - June/July Elle Decor, p. 20
1992 - La Rencontre des Deux Mondes Vue Par Les Peintres D´Haiti, pp. 96-97, 150, 235
1997- Catalogue of Equitable Gallery

Size: 12x14
Medium: Acylic
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Wedding
Many of Valcin´s paintings can be ranked among the finest achievements of Haitian art.

Being the brother of Gerard Valcin, Pierre was encouraged to paint and to join the Centre d´Art. His work has been shown all over the world, such as Washington DC, California, New York, Berlin, Brusselles, Paris, Athens, and at the Villa Médicis in Rome.

Pierre Joseph Valcin
Size: 20x24
Medium: Acrylic
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Les Coqs
Wilson Bigaud was born in 1928 in Port-au-Prince. At seventeen he walked through the doors of the newly opened Centre d´Art in Port-au-Prince.

Within half dozen years Wilson Bigaud would be among the leaders of the developing Haitian art movement. Under the tutelage of Professor Borno, and along with Hector Hyppolite, Philome and Seneque Obin, Prefete Duffaut and Castera Bazile, Bigaud would begin to turn the world´s eye toward his work and his island.

Wilson Bigaud
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Medium: Oil
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Pumpkin Soup
His work took three first prizes in exhibitions organized by the Centre d´Art

Bigaud is rare among primitives in that he portrays real expression in his people. Yet it´s this very detail that validates him as a prime witness of his epoch - so much so that an American art critic has stated, Bigaud is the Haitian Breughel. The French painter Gerard Economos, who knows Haiti well, believes that twenty years from now the most accurate descriptions of Haitian life and times today will be found on the canvases of Wilson Bigaud.

Wilson Bigaud
Size: 24x20
Medium: Oil
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Afe Pas Bon
His Paradis was awarded the second ribbon in a 1950 international exhibit in Washington, D.C. Paradis hangs currently in New York´s Museum of Modern Art.

The products of his first years grace the walls of many distinguished halls, public and private, including of course the Episcopal Church in Port-au-Prince. Paradis and Enfers and Jardins Merveilleux are archetypical masterpieces of primitive Haitian painting that brought global celebrity to the era and the men-men like Jasmin Joseph and G. Valcin and Ph. Auguste and A. Normil. At this point Bigaud´s health failed and he laid aside his brushes. The story of a very great artist could have ended here with his fame secure. Happily, it did not. Wilson Bigaud
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Medium: Oil
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Lavalas - SOLD
Chavannes has exposed throuhout the world and is a favorite of collectors.

Exhibitions
1978-1979 - Haitian Art Brooklyn Museum, New York, Milwaukee Art Center,Wisconsin, Kunstaus Haiti, Berlin,Germany, New Orleans Museum of Art, Louisiana
1981 - Sotheby Parke Bennet Auction, New York, NY
1982 - International Art Expo, New York, NY
1983 - Musee International d´Art Naif, Nice, France
1991 - Le Musee d´Art Haitien, Port-au-Prince, Haiti
1992 - La Rencontre Des Deux Mondes Vue Par Les Peintres D'Haiti, Martinique, Seville, Rome, Paris, Nantes, Angouleme, Laval, Toulouse, Japan, Montreal, United States, Mexico
1993 - Equitable Gallery, New York, Private Collection of Jonathan Demme.

Etienne Chavannes
Size: 20x24
Medium: Acrylic
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Mariage de Rat - SOLD
He fell in love with the landscape and abundant vegetation. This is where he developed his acute sense of observation of the country life style.

Between 1968 and 1969 he began to devote his life to painting and developed his own style, which can be easily recognizable marked with a distinct sense of color and humor.

Francois Dominique
Size: 24x30
Medium: Acrylic
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Le Chasseur - SOLD
The American watercolourist Dewitt Peters (1901-66), who ran the Centre d´Art, bought the work and sent him an encouraging letter. Obin responded at once, announcing his ambition to become the historian of his country in paint.

He was soon salaried by the Centre d´Art to develop a Cap-Haïtien branch. In 1951 he travelled to Port-au-Prince to paint two important themes for the Sainte-Trinité Episcopal Cathedral: a Crucifixion on the central wall of the apse and a Last Supper at the side; Christ on the cross is shown surrounded by people of the Cape dressed to attend Sunday services, oblivious to the tragedy before them.

Philome Obin
Size: 18x20
Medium: Oil
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