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Medusa
Although she grew up in Switzerland she is irrevocably Haitian, having maintained intimate ties with the island through annual summer trips back home.

By the age of 13 Pascale was enrolled in art school learning to draw from live models. Fully entrenched in the art world throughout her teens she apprenticed and collaborates with the sculptor Ljuba Stoyanovic who taught her how to sculpt miniatures in stone.

Pascale Monnin
Size: 30x30
Medium: Oil
Support: Canvas
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Monde á l´Envers
She not only paints magnificently, but also sculpts iron and works with several other haitian artists in a live model studio she began in early 1999.

Exhibitions
1994 - Mural restoration for the Haitian state department.
1995 - Two man show with Frantz Zéphirin, Galerie Monnin, Haiti
- Group show in Washington DC for the benefit of the Museum of Haitian Art in Port-au-Prince.
- Haiti:Sueno,Creacion, Posesion, Locura -Centro de Bellas Artes - Maracaibo, Venezuela.

Pascale Monnin
Size: 24x24
Medium: Oil
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Mille et Une Nuits
Deeply rooted in Haiti´s artistic heritage, the Contemporary Moderns of Haiti are bringing fresh new perspectives to Haitian Art.

Exhibitions
1996 - 3 Women, 3 Haitians, 3 Artists, Gallery Lakay, Los Angeles, California.
- Chosen to represent Haiti with 6 other artists for the Third Biennale of Caribbean and Central American Painting in Santo Domingo where the Haitians won the gold medal for best group.
- Group show Carnival masks, Gallery Bourbon Lally, Haiti.

Pascale Monnin
Size: 24x24
Medium: Oil
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Le Reve
Who are the moderns?

Harriet W. Lesser, Curator of Exhibits at the Charles Summer School Museum and Archives in Washington, D.C., points out that although there is the European influence in those that went abroad, - the Haitian elements are also visible -. Today, modernism transcends into vivid colours, renowned artistic styles such as surrealism, pointilism, and impressionism. These styles both reflect and represent a vast departure from the naives.

Exhibitions
1997 - Engravings Exhibit - Galerie Monnin, Haiti.
- Selected to represent Haiti with 3 other artists at the International Biennale of Painting, Cuenca, Ecuador.
- Participation in International Engraving Competition, San Juan, Puerto Rico.

Pascale Monnin
Size: 12x16
Medium: Oil
Support: Canvas
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Nan Jadin - SOLD
He is now married with all three of his sons following in their fathers´ footsteps.

Clausel Carrier was born on June 8th 1959. His father a carpenter, his mother a seamstress he has 12 siblings. He went to school until the age of 13 when he began to apprentice with his father. At the age of 18 he enrolled in the Acedemie des Beaux Arts on the advice of his brother-in-law, the painter Seide. For the following seven years he worked with the landscape artist Dufraud.

Clausel Carrier
Size: 8x10
Medium: Acrylic
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Granmoun - SOLD
She is the godmother of The Saint-Soleil New School of Painters, created under the direction of Tiga, Garoute, and Maude Robbart, promoters of this movement in Soisson-la-Montagne.

Louisiane Saint Fleurant originally came to Soisson-la-Montagne to help with the cooking. Soon after leaving the commune in 1978, she moved into a tiny shop of her own in a ravine above the Petion-Ville market, where she sold her paintings and ceramic sculptures.

Louisianne Saint-Fleurant
Size: 10x8
Medium: Acrylic
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Marquis de Sade - SOLD
The Moderns highlight the incredible diversity of Haitian art.

Exhibitions
1998 - Haitian Art in N.Y. BLOOM New York City.
- Haiti : Femmes et Art Contemporains, Arche de la Défense Paris, France. - 50 Years: Déclaration of Human Rights 30 artists, 30 writers, Museum of Haitian Art.
- Réalisme, Fantasmes et Fantasmagories, 3 man show : Michaud, Nasson, Pascale Monnin, Galerie Monnin, Haïti
1999 - International Group of artists chosen to paint murals in the city of Santiago, Cuba

Pascale Monnin
Size: 30x40
Medium: Oil
Support: Canvas
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Mamie - SOLD
From 1978 on, she participated in several exhibitions in foreign countries and in Haiti.

She is one of the most remarkable artists in this new school, which is devoid of all extraneous influence and has lent a new image to Haitian painting. As André Malraux remarked in regard to this school, it is impossible to determine where it came from or to whom it speaks. The l´Intemporel Malraux provides a noteworthy analysis of this new school, quoting Louisianne St-Fleurant in confirmation of this astonishing feature : It is through Voodoo that we would best approach the creative process of the Saint-Soleil painters. In the final analysis, the painter paints because he or she is mounted (possessed) and paints what the Loa (Voodoo god) wants.

Louisianne Saint-Fleurant
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Medium: Acrylic
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